According to recent findings and historical documents, China has a long history of developing jewelry. In China, jewelry making dates all the way back to the Paleolithic era. With the advancement of productivity and the growth of people's aesthetic sense over thousands of years of change, the making of jewelry underwent a constant process of advancement and development. The characteristics of jewelry have also been given a stronger symbolic significance of riches and prestige. Jewelrykg

In ancient China, the term "jewelry" can be found in phrases like "Han Shu Hou The following book about fashion and public opinion: "Observing that birds and other animals possess the As jewelry, they created the crown and tassel (pronunciation: pui)." The phrase "Qin Xiong vassal, is added to its military jewelry for the descending Komao, to show the nobility" is also included. "Wearing the jewelry of gold and cui," according to Cao Zhi's "Luo Shen Fu." Jewelry at first solely referred to "ornaments worn on the head." In The Book of Han, Wang Mang said "The head was at the end of the pole, the gems were in the ears, and the jewelry still existed, so if this is the plan, it is not only a reward!

The mother of a hundred years old and the son of a youngster were both amputated at the same time. The Tang Dynasty poet Chen Ziang also mentioned He writes, "Charming and gorgeous jewelry, flourishing and rotting brocade coverlet" in lines II–III of his poem "A Sensational Encounter." There is a similar reference to jewelry in the Yuan Dynasty poem "Jade Mirror Terrace" by Guan Hanqing: "There are limitless embroideries and pearls in the cabinet, but I can hook you up with some jewelry." Therefore, it is not difficult to comprehend the term "jewelry's" origin. And as the variety of jewelry increased, it started to include bracelets, rings, necklaces, earrings, and other accessories. Ninth Second Round: "Dream of the Red Chamber" Then, from his bosom, he removed a box containing gold beads and jewelry. Let's explore the figurative meaning of jewelry after learning its Chinese jewelry development history.

In the "Peak Cave," which is located atop the keel of Zhoukoudian in Beijing, Chinese archaeologists made the discovery of a late Paleolithic man cave site in 1930. There, they found several perforated ornaments in addition to preserved bones representing eight different individuals. The earliest "jewelry" unearthed in China can be categorized as these pierced ornaments, many of which feature red hematite coloring. These decorations stand out because they are smooth, regular, petite, and lovely. Form and mix of ornamentation also have some peculiarities based on the material. Examples include low material hardness, simple processing forms that are very similar to the material prototype, and repeated permutations of the same shape. Nevertheless, these are only

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Around 8,000 to 9,000 years ago, during the Neolithic era, certain stunning and hard jade stones, including quartz, jasper, agate, and obsidian, were cut with holes and basic ornamentation to create ornaments. Jewelrykg

These ornaments have distinct decorative meanings and are crafted with numerous lovely patterns. Numerous bone hairpins, stone hairpins, jade hairpins, and other magnificent carvings have been discovered at the Yangshao culture site, Majiayao culture site, Dawenkou culture site, Longshan culture site, Hemudu culture site, and Songze culture site. This clearly demonstrates that these decorations were being used widely at the time by individuals. Additionally, neck decorations made of ivory, white jade, turquoise, etc., as well as earrings, penannular items, They were widespread, and many of them were also decorated with exquisite carvings. All of these demonstrate how jewelry played a significant role in society at the period and became fairly popular. The excellent manufacturing technique and strong aesthetic ability of our ancestors at this time are also completely reflected in a sizable number of the objects that have been discovered.

The production of jewelry has advanced and developed continuously throughout the course of thousands of years, along with productivity and people's awareness of aesthetics. The characteristics of jewelry have also been given a stronger symbolic significance of riches and prestige.

The Xiliao River valley was lush with vegetation and water during the early Red Mountain period, and there were numerous aquatic species, including as fish, mussels, frogs, turtles, etc. So an aquatic monster was formed as the first totem of water worship. Dragon is the last collection. Jade is extremely hard, yet it also shares too many qualities with water, including transparency, warmth, coolness, and purity. Although water is spiritual but cannot be made into an artifact and rocks are formed but do not possess the spirituality of water, only jade possesses the qualities of the two best things on earth. Being chosen to serve the gods by the priests and shamans is thus quite proper. The spirit of the soil is in harmony with the sky to delight the gods since jade's brilliance also shares qualities with sunshine. attain the ideal condition of harmony between heaven, earth, the gods, and humanity.

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Burial jade is the primary material used in primitive jewelry, particularly in the Hongshan, Longshan, and Liangzhu cultures. Jewelrykg

1. Hongshan culture jewelry

A tribe that lived 5,000–6,000 years ago in the upper basin of the Daling and Xiliao rivers north of Yanshan Mountain developed the agricultural Hongshan civilisation. From the Urjimurun River Basin in Chifeng, Inner Mongolia in the north, to the west of Liaoning and the north of Hebei in the south, and to the Zhelimu League in the east, it was primarily scattered over a considerable region. The Hongshan culture among them is a product of the Liaohe River basin. In the past 5,000–6,000 years, this region was warm and It was highly ideal for humans to live and reproduce here because it was humid. Consequently, this ages-old, rich culture came into being.

Neolithic jade is what the Hongshan civilisation uses most frequently for its sacred and ritual goods. Jade pig dragons are the most prominent jade objects discovered from the Hongshan civilisation. One of the most significant finds at the Hongshan culture site is the jade pig dragon. The C-shaped pig dragon's body is coiled in the shape of a "°C," and the head is inscribed with a large poke-shaped eye. The neck is covered with a lengthy tail, and the forehead and under the jaw are embellished with inscribed markings. grid designs.

The jade pig dragon has five senses etched with shaded lines, melon-shaped eyes, many wrinkles surrounding it, a forward-extending nose, some of which display tusks, a perforation on the rear, and a heavy, flat, spherical body, as can be observed. At that time, the Hongshan culture's primitive religion had already reached an advanced stage of development. By no means a randomly created creature, the jade pig dragon is a deified spirit that was worshipped and offered as a sacrifice by the Red Mountain forefathers. As the traditional Chinese totem animal and a significant place in ancient Chinese culture, the dragon represents the rise of the Chinese people.

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